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Martha Argerich: The Legend - Solo Piano & Chamber Music (Vinyl LP) | Warner 2173258385

Martha Argerich: The Legend - Solo Piano & Chamber Music (Vinyl LP)

£23.87

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Label: Warner

Cat No: 2173258385

Barcode: 5021732583857

Format: LP

Number of Discs: 1

Release Date: 6th June 2025

Contents

Works

Chopin, Frederic

Mazurkas (51)
» no.36 in A minor, op.59 no.1
» no.38 in F sharp minor, op.59 no.3
Piano Sonata no.3 in B minor, op.58
» IV Finale: Presto non tanto

Mendelssohn, Felix

A Midsummer Night's Dream: Incidental Music, op.61
» Scherzo (arr. for 2 pianos)

Mozart, Wolfgang Amadeus

Piano Sonata no.16 in C major, K545 (arr. Grieg)
» I Allegro

Prokofiev, Sergei

Piano Sonata no.7 in B flat major, op.83
» III Precipitato
Symphony no.1 in D major, op.25 'Classical' (arr. for 2 pianos)
» IV Finale: Molto vivace

Ravel, Maurice

Gaspard de la nuit
» I Ondine

Schumann, Robert

Fantasiestucke in A minor for piano trio, op.88
» III Duet. Langsam und mit Ausdruck
Kinderszenen, op.15
» no.1 Von fremden Landern und Menschen
» no.7 Traumerei

Tchaikovsky, Pyotr Ilyich

The Nutcracker: Suite, op.71a (arr. N Economou for 2 pianos)
» Danse russe (Trepak)
» Ouverture miniature

Artists

Martha Argerich (piano)
Piotr Anderszewski (piano)
Cristina Marton (piano)
Cristina Marton (piano)
Cristina Marton (piano)
Renaud Capucon (violin)
Gautier Capucon (cello)

Works

Chopin, Frederic

Mazurkas (51)
» no.36 in A minor, op.59 no.1
» no.38 in F sharp minor, op.59 no.3
Piano Sonata no.3 in B minor, op.58
» IV Finale: Presto non tanto

Mendelssohn, Felix

A Midsummer Night's Dream: Incidental Music, op.61
» Scherzo (arr. for 2 pianos)

Mozart, Wolfgang Amadeus

Piano Sonata no.16 in C major, K545 (arr. Grieg)
» I Allegro

Prokofiev, Sergei

Piano Sonata no.7 in B flat major, op.83
» III Precipitato
Symphony no.1 in D major, op.25 'Classical' (arr. for 2 pianos)
» IV Finale: Molto vivace

Ravel, Maurice

Gaspard de la nuit
» I Ondine

Schumann, Robert

Fantasiestucke in A minor for piano trio, op.88
» III Duet. Langsam und mit Ausdruck
Kinderszenen, op.15
» no.1 Von fremden Landern und Menschen
» no.7 Traumerei

Tchaikovsky, Pyotr Ilyich

The Nutcracker: Suite, op.71a (arr. N Economou for 2 pianos)
» Danse russe (Trepak)
» Ouverture miniature

Artists

Martha Argerich (piano)
Piotr Anderszewski (piano)
Cristina Marton (piano)
Cristina Marton (piano)
Cristina Marton (piano)
Renaud Capucon (violin)
Gautier Capucon (cello)

About

*** 140g Black Vinyl LP ***

The term ‘living legend’ is genuinely apt to Martha Argerich, whose dazzling amalgam of virtuosity, insight, eclecticism, generosity and mystery makes her a pianist of unrivalled fascination. Argentinian-born, Viennese-trained, and winner of the 1965 Chopin Competition, she became a sometimes elusive figure whose every appearance and recording aroused eager anticipation.

Martha Argerich was born on 5th June 1941 in Buenos Aires. Her interest in the piano showed itself when she was three. Vincenzo Scaramuzza, her teacher, impressed on her the importance of feeling and the singing lyrical line – a facet of her playing which remains immediately recognisable. At the age of eight she made her debut concert playing Beethoven’s first concerto and the following year she gave Mozart’s Concerto no.20 in D minor, K466, and Bach’s French Suite in G, BWV 816.

In 1955 her family moved to Europe so that Martha could study with Friedrich Gulda in Austria; in this she was supported by the Argentine government who gave her parents diplomatic posts in their Embassy in Vienna. She won both the Geneva Music and Ferruccio Busoni International Competitions in 1957, but it was her winning the seventh Chopin Piano Competition in Warsaw that confirmed her as a major talent at the age of 24, which was followed by the legendary 1965 Chopin Recital to be released on EMI Classics (now Warner Classics).

Her formidable technique has often been compared to that of Horowitz. She is reputed to have learnt Ravel’s Gaspard de la nuit in three days having been told it was extremely difficult. Her solo career lasted for a quarter of a century during which her talent for interpreting the romantic classics, notably Chopin and Liszt, were matched by her brilliance in the 20th-century masters Ravel, Rachmaninov, Prokofiev and Messiaen. Her decision to limit her performances to chamber music and concertos was taken, as she admitted in interviews, to her feeling of loneliness on stage alone. This has been her career path for the last decades, and she retains the aura of one of the most brilliant of all pianists of modern generations.

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